Draw for February 15, 2017

February 15, 2017 | Filed Under Uncategorized | Comments Off on Draw for February 15, 2017
The Giants' Tarot, Raven Kaldera

The Giants’ Tarot, Raven Kaldera

Draw for February 15, 2017
Active Influence: Hrimthurs/Three Coins
Rune: Yr/Focus
Hidden Influence: Fjolvar/Seven of Coins

Today is about work, and focus, and actually doing the work. You may be focused and getting your work done, but others around you are distracted, preoccupied, or just plain absent. This is likely going to create problems for you, so use the creative energies of Yr and Fjolvar to find new approaches to the problems so you can go home on time.

Fjolvar is the brothel-keeper of Algron (the All Green Island), whose employees have, shall we say, unique talents. Anyone can agree to trade sexual activity for money, but it takes a truly creative person to distract the client so much with their Dance of the Seven Fire Veils that the client forgets why they are at the brothel, and suddenly time is up, and the client leaves a significant tip on their dazzled way out the door. So you, too, have unique talents (although probably not in quite the same setting), which can bring you unexpected success in difficult circumstances. You may have to sing for your supper, but you can choose the song.

Daily Poem: I See Thee Better in the Dark ~ Emily Dickinson

February 14, 2017 | Filed Under Poem for Hela | Comments Off on Daily Poem: I See Thee Better in the Dark ~ Emily Dickinson

I See Thee Better in the Dark
~ Emily Dickinson

I see thee better in the dark,
I do not need a light.
The love of thee a prism be
Excelling violet.

I see thee better for the years
That hunch themselves between,
The miner’s lamp sufficient be
To nullify the mine.

And in the grave I see thee best—
Its little panels be
A-glow, all ruddy with the light
I held so high for thee!

What need of day to those whose dark
Hath so surpassing sun,
It seem it be continually
At the meridian?

Draw for February 14, 2017

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The Giants' Tarot, Raven Kaldera

The Giants’ Tarot, Raven Kaldera

Draw for February 14, 2017
Active Influence: Hyndla/The Hermit
Rune: Laguz/Flow (reversed)
Hidden Influence: Loki & Thor/Seven of Swords

Stay home, don’t answer the phone, ignore your email, and clean the house. No, really.

Hyndla encourages solitude, meditation, and contemplation. Laguz reversed indicates a flurry of low-level frustrations and delays which, individually, are not an issue, but which accumulate to create disproportionate stress and aggravation. More hassle than it’s worth for the effort required to put on shoes and go outside.

And then there’s Loki and Thor, dressing as Freya and one of her handmaidens to trick Thrym long enough so Thor can get Mjolnir back from the wily Joutn who stole it. If you’re thinking of a clever scheme to get around someone today, this is not the day to do it. Just don’t. See the interpretation for the reversed Laguz, and consider whether that’s the energy you want to deal with when trying to be sneaky. (Answer: it’s not.)

If you are dealing with others, be sure of their motives and of the actual (not stated) outcomes of any plans—Thrym was expecting to marry Freya, and instead He got Thor in a dress, and got whacked upside the head with Mjolnir. Stay to the path of right action and make sure you aren’t in line for a smack upside the head from a colleague or friend—or the Universe.

The Tot Zover (Dutch Funeral Museum) in Amsterdam

February 13, 2017 | Filed Under Death Work | Comments Off on The Tot Zover (Dutch Funeral Museum) in Amsterdam

While searching the internet for something else entirely, I found the site for Tot Zover (the Dutch Funeral Museum) in Amsterdam. As I was actually in Amsterdam at the time, I took advantage of this information, and took myself to the museum the next day. It’s convenient to Tram Line 9, which leaves from Centraal Station, and stops at Kruislaan.

Unsurprisingly, the museum building is next to a cemetery. De Nieuwe Ooster was established in 1894, and is a lovely place. As it was pouring rain, I did not spend much time walking the grounds, and I hope to return when the weather is more cooperative.

When you enter the building doors, you find yourself in the Roosenburgh Cafe, which is a wonderful place to enjoy a bit of refreshment after perusing the exhibits, and is filled with neighborhood regulars, which made me happy to see.

The cafe is also where you purchase your museum tickets, and it has a coat rack and free lockers so you can walk around unencumbered. The cashier was very helpful, and assisted me in English when my attempt to purchase a ticket while speaking Dutch was not all it could have been. (I’ve never studied it formally, and rely heavily on my Berlitz phrase book. Most people in Amsterdam speak English better than many of us in the US, but I feel it’s important to make the effort. I’ve been told I say “dank u wel” quite well, so at least I am able to say “thank you” properly.)

The rotating exhibit was being changed, so I took the information card for the permanent exhibit (in English, so I would not spend more time wrestling Google Translate than looking at things, yay!), and stepped into the hall. The permanent exhibit is a display of seven wooden caskets, filled with the funeral items of a particular tradition, and holding a monitor which shows a video of the customs for that tradition, from preparing the body to the funeral ritual itself. The information is well-organized and clearly presented, and gave me several ideas for end-of-life planning and celebrations.

The black-and-white vintage footage of a Jewish funeral (the first depicted) with its quiet solemnity and highly formal ritual, contrasts sharply with the modern personal funeral (the last in the exhibit), with its casual air and the deceased himself hosting the event via pre-recorded video. In between are depictions of Roman Catholic, Muslim, and other cultures. (Memory fails, and I thought I had written them down, but apparently I did not.) From a deep tradition to a new tradition, the exhibit did a good job of comparing and contrasting customs around the world.

Of particular note to me is that the Suriname Creole sing and drink red wine while preparing the body, and sing and dance the body out to the hearse. They also have a small brass band as part of the funeral procession. It’s a joyful time in spite of the loss, and reminded me of the jazz funerals in New Orleans.

The hallway back to the cafe contains a selection of photographs from the recent temporary exhibit on Death Portraiture. Featuring photos of its subjects both prior to and after their deaths, in domestic settings and among their loved ones, the exhibit is intensely moving. The photos themselves are beautiful to view, and when you realize that the recipient of the love and affection bestowed is actually deceased, the photos take on an entirely new depth and feeling.

There’s also a display case of miniature hearses, from horse-drawn funeral carriages to current vehicles. The cultural shift over the span of years from the casket being fully visible, to barely visible, and back again was interesting to see.

I made some notes while I viewed everything, and then added to them as I fortified myself with a cup of hot tea before heading out into the day to continue my adventures. I definitely recommend a visit to Tot Zover as a way of gaining appreciation for the variety of memorial traditions and the commonality of our need to acknowledge a loved one and their loss from our lives.

Daily Poem: Sonnet VI ~ Caroline Norton

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Sonnet VI
~ Caroline Norton

Where the red wine-cup floweth, there art thou!
Where luxury curtains out the evening sky;–
Triumphant Mirth sits flush’d upon thy brow,
And ready laughter lurks within thine eye.
Where the long day declineth, lone I sit,
In idle thought, my listless hands entwined,
And, faintly smiling at remember’d wit,
Act the scene over to my musing mind.
In my lone dreams I hear thy eloquent voice,
I see the pleased attention of the throng,
And bid my spirit in thy joy rejoice,
Lest in love’s selfishness I do thee wrong.
Ah! midst that proud and mirthful company
Send’st thou no wandering thought to love and me?

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